Wednesday, August 10, 2016

Stranger Things’ star Millie Brown to grace AsiaPop Comicon



Stranger Things’ star Millie Brown to grace AsiaPop Comicon
by rick olivares

British child actress Millie Bobby Brown who was the breakout star of Netlix’ science fiction horror series, Stranger Things, will be in attendance at the second staging of the AsiaPop Comicon Manila from August 26-28 at the SMX Convention Center in Pasay City.

Brown is the second actress named in as many days by AsiaPop organizers after the stunning pullout of Agent Carter and Captain America actress Hayley Atwell due to scheduling conflicts with her new television show, Conviction.

The 12-year old Brown plays the character of Eleven, a young girl with psychokinetic abilities in the critically-acclaimed show whose popularity was spread by word of mouth. Stranger Things is set in the 1980s and has received positive reviews for its writing directing, pacing, acting, soundtrack, and homages to 80s films by John Carpenter, Stephen King, George Lucas, and Steven Speilberg.

Speilberg lauded the show as the best on television for the year.

Brown was one of the show’s stars along with the comebacking Winona Ryder, an actress who coincidentally started out her career in the 1980s. 

The young Brown has an interesting story where her family sold all their belongings just to give her acting career a chance. Millie was able to land small parts in television shows but wasn’t able to snag major roles. The family, flat broke, moved back to England in the summer of 2015. Life got so difficult for the Brown family that during an audition for Stranger Things where she was asked to cry among other things. Given her highly emotional state, Brown let it all out and she got the part

Within weeks, the family was on a plane to Atlanta to film Stranger Things. Since the runaway success of the short television series, producers have lined up to sign Brown. And now, the 12-year old Barcelona-born Briton is going to make her first comics convention appearance. And in AsiaPop Comicon Manila of all places.

 

Tuesday, August 9, 2016

Holland Roden to grace AsiaPop Manila



Holland Roden to grace AsiaPop Manila
by rick olivares

Holland Roden who plays Lydia Martin in the supernatural drama television series, Teen Wolf, was named last Tuesday, August 9, as one of the celebrity guests of the 2016 AsiaPop Comicon. The second staging of the country’s biggest pop culture event will be held from August 26-28, at the SMX Convention Center in Pasay City.

The 29-year old actress from Dallas, Texas has been a main cast member of the series that has been airing on MTV since 2011. Roden has also played supporting roles in other noted television dramas such as CSI: Crime Scene Investigation, Lost, Criminal Minds, and Grey’s Anatomy.

The announcement of Roden’s appearance comes on the heels of the stunning pullout of Agent Carter star Hayley Atwell from the comics convention due to a scheduling conflict with her new television show, Conviction.

This second staging of AsiaPop is sorely lacking in star power unlike last year where they had actor Paul Bettany who plays the Vision in the Avengers and Game of Thrones’ Nathalie Emmanuel who plays Missandei in the widely-popular fantasy series. Among comic book artists, they had renowned comic painter David Mack and Filipino-American artist While Portacio. 

This year, the convention features comic book artists Mike Zeck, Ken Lashley, Billy Tan, and Portacio again. Yet all these artists' heyday was either in the 1980s or the 1990s. 

AsiaPop Organizers have intimated that there will be new announcements over the next few days including a cast member from the science fiction horror series, Stranger Things that was recently shown on Netflix. Filmmaker Steven Steilberg called Stranger Things as "the best show of the year."

Sunday, August 7, 2016

Got a signed Nexus Omnibus Vol. 1 from Mike Baron!


I may have the original issues of this as well as the Omnibus, but getting a signed one as a gift from a friend who went to the 2016 San Diego Comicon is a welcome one. Nexus is after all, one of my all-time fave comics and characters.

Saturday, August 6, 2016

Film review: Suicide Squad rises but misses the mark


Suicide Squad rises but misses the mark
by rick olivares

After Man of Steel and Batman Vs. Superman Dawn of Justice, so much was riding on Suicide Squad to get some universal love sans the gate receipts. There’s still grim and gritty but with Will Smith on board as the assassin Deadshot and Margot Robbie as the psychotic cheesecake Harley Quinn, there’s some heart and well, quirkiness; a welcome change in the mirthless place that is the DC Entertainment Universe (although this film was another extinction event).

However sadly, Suicide Squad teases promise but still misses the mark. As Smith’s Deadshot says after he is ordered to shoot an escaping Harley Quinn, “I missed.”

Yes, this film, like Dawn of Justice, misses again. Hey, cue in that last hit by British band, Genesis, “I Missed Again”. And that’s shocking considering the critical flack they received for their last two films and the supposed adjustments they made post-BvS. One can only surmise how it must have looked in its original form. 

Let me state for the record that I think it is good that DC is trying to also expand their universe and tie everything in. Furthermore, I think that choosing the Suicide Squad is a gutsy and laudable move. It seems more doable and believable given what they are trying to achieve instead of picking out the Legion of the Super-Heroes, Titans, Outsiders, Doom Patrol, or even the Omega Men that would have further stoked those Guardians of the Galaxy comparisons. 

I love the concept of Suicide Squad, the comic book that was originally a tip of the hat by writer John Ostrander to the film, The Dirty Dozen, a film adaption of an actual American unit of convicted soldiers who are turned loose in a mission during World War II. In fact, I like how the Suicide Squad film even pays homage to Ostrander whose name appears in front of a building in the film. 

So I eagerly awaited the film. 

Essentially, Suicide Squad is about a US intelligence officer named Amanda Waller who puts together Task Force X consisting of super villains incarcerated at the fictional Belle Reve Penitentiary in Louisiana. The are supposed to be the solution to dealing with rogue Supermen when the question is posed, "What if Superman goes bad? And how do we fight all these super-powered meta-humans that have showed up since Superman first appeared?"

When the Enchantress, an ancient witch that inhabits the body of Dr. June Moone, supposedly a member of Task Force X, loses control and begins to wreak havoc — she intends to destroy the world - with her newly-revived brother, Task Force X is called into action to save a person who turns out to be Waller herself, and put down the Enchantress. In order for Task Force X to comply with their mission, they are injected with nanites that could kill them at the flick of a switch. Er, more than stopping the Enchantress, their first mission was to save Waller? Couldn’t she just get out of there by herself? And her offing the FBI guys, she should be thrown into Belle Reve herself.

In the meantime, there’s this sub-plot of the Joker looking to spring his deranged love, Harley Quinn.

Sounds like a plan or a plot, right?

Nope. The best laid plans of director David Ayer and men have fallen apart.

You’d think that going up against a supernatural foe, you’d send people with similar powers. Instead, a squad that relies on blunt force trauma and physical violence is sent to take down this being of power? Okay, they fight humans who have been reanimated into some tar-covered humanoids that reminded me of those never-ending goons who the Power Rangers fought. You’d think a witch would instead conjure some monsters rather than brittle humanoids. And why the heck does the Enchantress need to engage them in sword fighting? If she can teleport to Iran and steal some secrets that the US military has been trying to get their hands on for years, why doesn’t she drop Task Force X inside a volcano? Or teleport them into outer space? 

I can understand the snafu that the Enchantress found a way to rebel. It is a possible occurrence after all. The Enchantress wants to destroy the world? So what’s their point in existing when they are from Earth? All right. Assuming we cannot comprehend their logic, how about that portal of whatever it is they create? Aside from the Ghostbusters feel, what are they summoning if ever? And you’d think rather than bring high-powered assault rifles they’d borrow some Proton Packs from Venkman and company (sorry, I am not into their reboot). How long does it take to conjure that portal to destroy the world? The Enchantress is aware of the presence of the Suicide Squad while her brother can even see Captain Boomerang’s bommerang but not the Special Forces soldiers beneath the sewers?

And after all is said and done, Waller remains in charge of Task Force X? 

Aargghh. Holy loopholes, Batman! 

And here’s one more… Nanites or not, I found it strange that the Special Forces soldiers would lead the recon while Task Force X stayed in the back. Hmmmmm. Even the ancient Persians made sure it was their mercenary allies who were at the forefront of the attack while they brought up the rear. But Ayer is a former US serviceman having spent time in the Navy. Being on the water aside, he should have some passing knowledge about infantry formations.

It may be nitpicking but the reason why super-hero films have been popular is their modern re-telling and putting them in relatable settings and finding ways for people to suspend their disbelief. Man of Steel nearly succeeded except that Lois Lane was like those Chuck Taylors as she was everywhere while Superman snapped the neck of General Zod. BvS… let’s not get into that because it’s almost criminal. 

Suicide Squad, to borrow comic book grading terms, is fine. Just fine. Not good or even within the vicinity of great. It’s just fine. 

I think it’s a slight step up from the dour BvS. Will Smith and Margot Robbie save the film. Smith always brings heart into his roles. I think he does well as a tormented Deadshot with perhaps his appearances in Bad Boys preparing him for this.

Margot Robbie is delicious and tantalizing; a tease. For a while there, I thought that her interplay with Jared Leto’s Joker was going to be super-hero-dom’s version of “Natural Born Killers”. Leto… reeked of menace and danger. But at the end, he isn’t like the late Heath Ledger whose Joker was the god of death. Every second Heath was on screen, you didn’t know what craziness he was going to do as his appetite for destruction was seemingly insatiable. But to be fair, Leto didn’t get the screen time that Ledger or even Jack Nicholson did. So I am looking forward to see the next appearance that puts him on a collision course with Batman if this film’s continuity is followed.

While films like The Avengers or even Captain America: Civil War have shown that it is possible to juggle huge casts, Suicide Squad is unable to balance this cast — and they had the cast. Captain Boomerang, Killer Croc, Diablo, and Slipknot are woefully under-used. Katana? Well, she was one of my favorites in that comic book group, The Outsiders. In this film, she was totally unnecessary. What’s this? Diversity for the heck of it? 

And I wasn’t too impressed with Joel Kinnaman’s Colonel Rick Flagg who seems like a lovesick schoolboy rather than a man who is reputably able to handle every single weapon in the US arsenal — meaning he is experienced and battle-hardened. Instead, he’s a wuss. 

I love how Ben Affleck’s Batman appeared on several occasions. And speaking of those cameo appearances, good to see the Flash make a special although really short appearance. 

Ayer’s films Fury and Street Kings were gritty; the former, sometimes a little overboard in the gore that is no doubt trying to outdo Saving Private Ryan that changed the genre for war films. He wrote Training Day that I liked. How on earth, he concocted Suicide Squad is beyond me. And he says he cut this.

The soundtrack was all right. Good stuff. Just wish it didn’t feel like MTV.

Suicide Squad isn’t the disaster that Dawn of Justice was. It has its moments for sure. There’s potential. But unfortunately, Ayer and company didn’t have the aim of Deadshot.

Friday, August 5, 2016

I signed the Save Agent Carter petition -- this time for Marvel




Just signed the petition for a second time because the first time it was meant for Netflix. This one is for Marvel.

Here's the link for the petition - Save Agent Carter.

Wednesday, August 3, 2016

Comic book pros announced for 2nd AsiaPop Manila



Comic book pros announced for 2nd AsiaPop Manila
by rick olivares

AsiaPop Comicon Manila 2016 has added some comic book pros to its guest list for the country’s biggest pop culture event this coming August 26-28 at the SMX Convention Center in Pasay City.

Comic book artists Mike Zeck, Ken Lashley, and Billy Tan have been announced to be among the attendees for the event that is now on its second year in Manila. Two months ago, British actress Hayley Atwell who came into the public consciousness for her role as Agent Peggy Carter in the Captain America films and the Agent Carter television series was announced as the first big name to grace the upcoming convention.

Zeck is an American artist who made his name in the 1980s working on Marvel Comics’ first big crossover event, Secret Wars. He followed that up two of works that has since become classics and defining stories for the Punisher and Spider-Man villain Kraven the Hunter, in Circe of Blood and Kraven’s Last Hunt respectively.

Circle of Blood was a five-issue limited series written by Steven Grant and pencilled by Zeck featuring the Punisher. That series cemented the character’s place in Marvel’s pantheon of characters moving him away from cameo appearances in Spider-Man’s titles. 

Kraven’s Last Hunt was controversial for the suicide of the Spider-Man foe who after defeating the costumed hero believed to have regained his honor and saw no more purpose in his life. 

Zeck went on to a fruitful career well well into the late 1990s but since has been involved in the production side of comics. 

Lashley is a Canadian artist who made his name illustrating many of Marvel and DC’s top-selling comics. Lashley has drawn Exaclibur, Spider-Man, JLA, Superman, and many others. His more renowned run is working on Black Panther that has enjoyed a surge in popularity following the superhero’s cinematic debut in the recent Captain America: Civil War. Lashley worked on Black Panther: The Deadliest of the Species with writer Reginald Hudlin where T’Challa, the person behind the mask gives up the mantle to his sister Shuri after sustaining life threatening injuries. 

This series was a game changer for the character in which many of the events that happened in the that story have a great effect on the current acclaimed run by writer Ta-Nehisi Coates and artist Brian Stelfreeze. Lashley currently does toy designs and is the artist on Marvel’s Uncanny X-Men.

Billy Tan is a Malaysian-American artist who made a name for himself working out Marc Silvestri’s Top Cow Studios in the 1990s working on titles like Tomb Raider, Witchblade, and Spirit of the Tao. He also drew for Marvel and DC before relocating to China where he founded Tan Comics, a company that focuses on Asian superheroes. 

Aside from the three international stars, Filipino-American artist Whilce Portacio will be back for the second straight year in AsiaPop.

According to event organizers, they also have a few more big comic names to announce in the next week.

Monday, August 1, 2016

Pinoy artist Dexter Soy draws DC Comics’ “Red Hood & the Outlaws”



Pinoy artist Dexter Soy draws DC Comics’ “Red Hood & the Outlaws”
by rick olivares

It’s an exciting time for Filipino comic book creators. 

Last Saturday, July 30, comic book fans gathered at Comic Odyssey at FullyBooked at Bonifacio Global City for an for the book signing of DC Comics’ "Red Hood and the Outlaws” that Pangasinan-based Dexter Soy drew.

“Red Hood and the Outlaws” isn’t Soy’s first work on American comic books. He got his start four years ago illustrating Captain Marvel for Marvel Comics. The character of Captain Marvel generated some buzz a week ago when it was announced that American actress Brie Larson will be playing Carol Danvers’ alter ego in an upcoming Marvel Cinematic Universe film.

Incidentally, Soy was the second Filipino artist to illustrate Danvers in its own title. During the first run of Danvers, then known as Ms. Marvel (as Captain Marvel as an alien male hero in the comics), trailblazer Tony De Zuniga inked penciller Jim Mooney’s work on a few issues. Soy, however, both pencilled and inked the character also for six issues. 

Working on “Red Hood and the Outlaws” is a special experience for Soy as it pairs him with writer Scott Lobdell.

“I hardly buy comics,” he shockingly says in the vernacular for someone in his profession. “We don’t have comic book shops in Pangasinan so I had to make do with what there was… hand-me-downs, second hand copies.”

“And that first comic I got was Uncanny X-Men that featured the art of Joe Madureira who is such a big influence on me (along with Humberto Ramos),” said Soy. Madureira drew the then popular comic for three years before opting to do his own creator work, “Battle Chasers” for the Cliffhanger imprint of Wildstorm Studios in Image Comics. “The writer of those X-Men stories that Joe drew was Scott Lobdell.”

The two got to work together on a couple of issues of Red Hood/Arsenal for DC last year and when both learned they’d be working together at least for six issues of the new title, it was a welcome development. “So working on the character of Red Hood isn’t difficult because I previously worked on him. The challenge for both of us is elevating the character to a bigger platform.”

The character of Red Hood was a petty thief who incidentally was initially the Joker before he became deranged and psychotic. The persona was later adopted by Jason Todd, the former Robin who was controversially “killed off” in the now classic “Death in the Family” story that ran in “Batman” #426-429 in 1988-89. The story was controversial because DC Comics gave readers a chance to have a say in the fate of the character through a special phone-in 1-900 number that cost 50 cents. The finally tally of 5,343 versus 5,271 saw a thumbs down for the character. The “comics death” received a lot of media attention especially from the mainstream press. 
“Hopefully, we can tell some really good stories,” underscored Soy about Todd.

Soy stated that the two characters he would love to sink his teeth into are Marvel’s Daredevil and DC’ John Constantine. “That would be a dream job. And of course, working on a project with Joe Madureira."

The first issue of “Red Hood and the Outlaws” was just released in all comic book specialty stores. The second issue should be out by the end of August.

This original piece of Dexter Soy artwork was raffled off!