Sunday, October 20, 2019

Archie comics to feature variant Manila cover


Archie comics to feature variant Manila cover
By Rick Olivares

World-famous Archie Comics, celebrating its 80th year of publication this 2019, will give Filipino comic book fans an early Christmas gift when they release a variant cover of Archie and Friends Travel #1 featuring the timeless and fictional cast of teenagers at the Rizal Park in Manila.

The news was the big reveal during SuperManila Pop Culture Convention last Sunday, October 20 at the Podium in Pasig City.

Painted by rising Filipino digital artist Miguel Mercado, the cover will feature Archie Andrews, Betty Cooper, Veronica Lodge, Jughead Jones, and Reggie Mantle hamming it up for selfies in front of our national hero’s monument in Luneta.

The comic book, a special project by local comic book specialty shops Filbar’s and Comic Odyssey, is slated for release this late November and is the first ever Philippine retailer exclusive cover by Archie Comics. 

Archie has enjoyed a revival in 2015 after its relaunch by chief creative officer Roberto Aguirre-Sacasa, and the relaunch of the flagship title, Archie, that featured a modern take by noted writer Mark Waid and artist Fiona Staples. That success has translated into a television series, Riverdale, developed by the CW that is currently in its fourth season.

Mercado has previously illustrated covers for Robotech, Sea of Stars, Sparrowhawk, Mighty Morphin’ Power Rangers, and Lady Mechanika among many others. His work on Archie and Friends Travel #1, is a fulfillment of a childhood dream. 

“I grew up reading Archie and I was very happy for the opportunity to do this more so with the cover in a Philippine setting,” said Mercado during the SuperManila Pop Culture Convention opening last Friday, October the 18th. “I chose the Rizal Park because it is iconic and what better place to set the Archie characters there. I am happy with the work I have done but this is something definitely enjoyable.”

Added Filbar’s President Jacob Cabochan, “Miguel’s aesthetic has a way of blurring time and space. Somehow, he makes old school charm feel both current and nostalgic. It’s uncanny.”

For his part, Comic Odyssey’s Sandy Sansolis said that this retailer exclusive “shows how important the Philippine market has become.”

The SuperManila Pop Culture Convention was organized by Filbar’s and Comic Odyssey.

Tuesday, October 15, 2019

4 things to do this SuperManila Pop Culture Convention


4 things to do this SuperManila Pop Culture Convention
By Rick Olivares

MANILA, PHILIPPINES – It will be Christmas in October when Filipino pop culture fans get to stuff their goodie bags in the first ever SuperManila Pop Culture Convention at the Podium in Pasig City this October 18-20.

SuperManila Pop Culture Convention offers local fans three days of comic book signings from a battalion of Pinoy comic book legends and stars, but also panels featuring top creators, exclusive toys, a sneak preview of an upcoming Filipino variant of a comic book, artwork, and more. 

Here are four things for the Filipino fan to do in these three days of geek bliss.

1.    Meet this galaxy of Filipino talent
Filipino illustrators have worked in American comics since the 1970s beginning with Tony de Zuniga, Nestor Redondo, Steve Gan, Alfredo Alcala, Ernie Chan, Romeo Tanghal, Danny Bulanadi, and many others.  

Whilce Portacio and Rafael Kayanan carried the torch for Filipino talent in the 1980s when they worked the Punisher and The Fury of Firestorm respectively. And they presided over the second wave of talent that made a splash with the independent comics boom of the 1990s. Among those creators who came up from Portacio’s Starfire Visuals that was located at 55 Balete Drive in Quezon City include Leinil Francis Yu, Gerry Alanguilan, Jay Anacleto, Roy Allan Martinez, Edgar Tadeo, Gilbert Monsanto, and Ryan Orosco who all worked on various titles for the burgeoning Image Comics

In this new millennium, a whole cavalcade of other creators have made names for themselves. Lan Medina is the first Filipino to win the prestigious Eisner Award for his work on Vertigo Comics’ Fables. Fans will get to meet Pol Medina (Pugad Baboy), Harvey Tolibao, Carlo Pagulayan, Stephen Segovia, Mico Suayan, Rod Espinosa, and many more.


2.    Check out the FOUR Funko Pop exclusives for SuperManila! 
The Philippines is acknowledged as one of the biggest pop culture collectors’ markets and this weekend, fans are in for a treat when the exclusive Funko Pops of the Arkham Asylum Purple Chrome Joker, the corrupted Venom, glow-in-the-dark Phoenix, and Harley Quinn as Robin Pop become available!


3.    Attend those informative, exciting, and geeky panels. 
Panels are a staple of pop culture conventions and one of the biggest attractions. There will be several panels with two each hosted by noted fans and hosts Jay Ignacio of local alternative band, Da Pulis, Jiggy Cruz and Jason Inocencio. 

Ignacio will moderate the “A Look Back at the 55 Balete” panel on Saturday, October 19 at 2pm. That address – 55 Balete – was the location of Starfire Visuals, the studio put up by Whilce Portacio that opened doors for Leinil Yu, Gerry Alanguilan and others. 

The Sunday, October 20 panels will have Cruz moderating the “Make Mine Marvel” panel at 12 noon as well as the “Spider-Talk” panel at 3pm.

Inocencio will preside over The Creator Focus at 2pm where he sits down Whilce Portacio and Rafael Kayanan.

4.    Await the big reveal of the exclusive Filipino variant of an upcoming comic.
SuperManila organizers have promised that the big reveal of this Filipino cover variant of an upcoming comic will be senses shattering!

After the success of the Wave cover variants of the New Agents of Atlas and Aero comics, prepare to be astonished when this timeless character is given love and a taste of sugar by one of our rising artists.

And speaking of Wave, during the convention, fans are encouraged to sign the petition for the character’s very own Funko Pop and Marvel Comic. 

If you are a fan of pop culture, then the SuperManila Pop Culture Convention this weekend is the place to be.


The SuperManila Pop culture Convention is organized by Filbar’s and Comic Odyssey, 

Thursday, October 10, 2019

Fil-Am artist & Hollywood trainer & stunt man Rafael Kayanan to grace SuperManila


Fil-Am artist & Hollywood trainer & stunt man Rafael Kayanan to grace SuperManila
by rick olivares

When the first SuperManila Pop culture Convention unfolds this coming October 18-20 at the Podium in Pasig City, it will be quite a homecoming for Rafael Kayanan. 

The 56-year old Kayanan was born in Manila but migrated to the United States when he was eight. His last trip back home was when he was 12 years old.

Kayanan made a name for himself illustrating the adventures of DC Comics’ Fury of Firestorm about a nuclear-powered hero from 1984-86. He jumped into the world of independent comics after where he worked on Hawkmoon for First Comics and Phaze for Eclipse Comics. In the 1990s, he caught even more attention drawing Conan the Adventurer and the Amazing Spider-Man for Marvel.

He will be joined in SuperManila by Whilce Portacio, another Filipino who migrated to the United States in the 1980s and became a big name back in the late 1980s up the mid-990s when he worked on titles such as The Punisher, X-Factor, and Uncanny X-Men for Marvel Comics, and his self-produced, Wetworks, for Image Comics, and other current Pinoy stars like Leinil Francis Yu, Gerry Alanguilan, Elmer Damaso, Mico Suayan, Edgar Tadeo, Carlo Pagulayan, and many others for this massive gathering of Filipino talent in comics.

What makes Kayanan’s run on Conan poignant is that he followed the great Alfredo Alcala, Ernie Chan, and Tony de Zuniga – all Filipinos -- who worked on that character that was created by the great Robert E. Howard. “I believe many Filipinos like Alcala, Chan, and de Zuniga were what black and white magazines like Savage Sword of Conan needed due to their exceptional depiction of value and texture. Unless (American) John Buscema was going to ink his own work, very few could ink his open and loose breakdowns, and make it look good for that format.”

Kayanan’s own work on Conan (that was published in 1994) was highly detailed and emotive. There was an energy to the art work that made the title jump out at the reader from the cover alone. 

“Most of the time, it was surreal drawing characters I had grown up reading,” reflected Kayanan about his work on the four-colored page that is comics. “One through line was my history with the classic Spider-Man story, ‘The Death of Gwen Stacy.’ Gerry Conway wrote that story and he was the writer on my first comics job. When we met in New York, he invited me to my first ever Broadway show. Little did I know that many years later, I would be the main illustrator for Julie Taymor’s Spider-Man on Broadway; illustrating that same Gwen Stacy story that Gerry wrote.”

However, Kayanan eventually made the jump elsewhere. To Hollywood in fact where he put his master-level status for Sayoc Kali (a martial art that makes use of edged weapons) to good use. He has choreographed fight sequences and trained actors Benicio del Toro and Tommy Lee Jones (for The Hunted), Sam Rockwell (in George Clooney’s Confessions of A Dangerous Mind), and NCIS: Los Angeles.

“No matter where I have traveled in the world, people have seen The Hunted or an episode I did on NCIS: LA. Sayoc being featured in a mainstream American film like The Hunted forged the way for Filipino Martial Arts into action scenes from John Wick to Mission: Impossible, Game of Thrones, and the Bourne Identity.”

Sayoc Kali is acknowledged to be the “art of the blade” that was developed by the late Pamahana Tuhon, Chris Sayoc Sr.

Regarding working with Hollywood elite, Kayanan shared this: “As far as working with talent like LL Cool J, Liam Neeson, Priyanka Chopra, Benicio del Toro, or Sam Rockwell, one standout story for me is working with Fil-American actor, Ernie Reyes Jr. Literally, Ernie was the sole Filipino face of Hollywood as an action hero. Ernie has been away while raising a family and I reached out to him to see if he’d like to guest star on an episode of NCIS: LA.”

The New York-based Kayanan is proud of all the Filipino talent making waves in international comics today. “They are all amazing,” enthused Kayanan. “They have such diverse styles and I am always curious when I see a Filipino name in the credits.”

“I really look forward to seeing the comic book culture in Manila,” said Kayanan. “It would be nice to meet the fans and the other pros. I met a few of them years ago in the DC Comics offices. It would be a blast to meet them all again.”

The SuperManila Pop Culture Convention is organized by Filbar’s, Comic Odyssey, Rocketsweep, Hot Toys, Funko, Lego, Pilot, and Epik. 

Sunday, August 11, 2019

Darna adds to the growing Filipino-themed Funko Pops & toys


Darna adds to the growing Filipino-themed Funko Pops & toys

by rick olivares

Just when you think it couldn’t get any hotter after the best-selling Jollibee Funko Pop, the latest Filipino themed vinyl product featuring fictional super heroine, Darna, is selling like crazy.

And the superheroine, created by the late comic book writer Mars Ravelo and artist Nestor Redondo in 1950, has added to a cool and already impressive line of local characters including the best-selling and popular Manny Pacquiao Pop (available as a boxer or basketball player), Aswang, Siokoy, White Lady, and Jollibee (two version including the original mascot and one in a Barong Tagalog).

A similar line of vinyl toys on legendary Filipino band, The Eraserheads, designed by Korean wunderkind Coolrain Lee for local toy shop, Secret Fresh, are considered collector’s items.

Under the heading, Ravelo Komiks Universe, Darna, listed as #23 in Funko Pop Comics, has been a certified best-seller at Big Boys Toy Store, the exclusive seller of the Darna Pop, with its branches in Shoppesville Greenhills, Fisher Mall and Century Mall. 

Since 2011, Funko Pops have taken pop culture fans by storm with its impressive, creative, and eye-candy line of vinyl figurines and bobbleheads. 

Big Boys co-owner Sean Madrazo shed some light on the development of the Darna Funko Pop. “As the biggest dealer of the toys in the Philippine market, Big Boys has been pushing for more Filipino characters to be developed. We have been trying to get iconic Philippine characters designed to make Funko Pops more relatable to the Philippine market.”

Shared pop culture fan J.A. Lukban, “I think the Darna Funko Pop is historic because we are getting recognized as a toy collecting country. It adds to one of the vehicles that opens our rich culture to the rest of the world. We recently had Wave as a highly-publicized Filipino Marvel superhero who is also now in a game. Then there is Trese being developed into a Netflix series. It is a very interesting time to be a pop culture fan.”

Revealed Madrazo, “Twice in the last several years, we tried to acquire the rights to the Pugad Baboy characters, but they are just too expensive. It isn’t easy as it sounds. We need to consider that we need to sell enough to make the minimum order quantity. Darna, because of all the local comic book characters, is the most well-known.”

And despite a price tag that fetches over a thousand pesos for the Darna Funko Pop, it has not deterred fans from purchasing them.

Funko Pops were all designed by Mindstyle, an American Brand Development and Creative House headquartered in China. “These Pops are only available in the Philippine market,” clarified Madrazo. “Our main goal is to make the world of collectors realize there is a big and strong local collecting market here.”

After the Darna Funko Pop, Madrazo hinted at another Philippine exclusive in the works. He declined to mentioned what it is merely teasing, “Watch out for it soon!’



Tuesday, July 30, 2019

Leinil Yu takes on Marvel’s X-Men comics


Leinil Yu takes on Marvel’s X-Men comics
by rick olivares

Filipino superstar comic book artist Leinil Francis Yu will be taking on Marvel Comics’ X-Men beginning this October.

Marvel officials announced the development last week at the San Diego Comic-Con where Yu will team up with superstar writer Jonathan Hickman who has taken it upon himself to lift the long-standing comic book characters back to an elite position; one they enjoyed from the 1980s to about the late-1990s.

Yu just came off a stint on Captain America with renowned writer Ta-Nehisi Coates with an Uncanny X-Men one-shot in between. We spoke to the busy and in-demand artist about the upcoming gig on X-Men and he had a lot to say about it.

“Jonathan (Hickman) came up with this completely fresh storyline that blew me away when CB (Cebulski, Marvel Comics Editor-in-Chief) told me a few months ago,” revealed Yu. “The story is not only fun to illustrate but also challenging given Hickman’s intricate storylines. More importantly for me, it casts some of my favorite X-Men!”

The artist refused to divulge the plot. “All I can say that it takes place in outer space,” teased Yu. “You have to read it but it’s all worth the wait.”

From the looks of the promotional art released during the San Diego Comic-Con, the book revolves around the Summers family that includes Cyclops, Havok, Corsair, Vulcan, Cable, Marvel Girl, Rachel Summers, and the only character not related by family, Wolverine. 

Hickman’s work on House of X and Powers of X are laying the groundwork of X-Men stories to come. 

Yu is a long-time X-Men fan who cites the sci-fi story arcs and the alternate realities as some of his favorites. “The Age of Apocalypse is memorable for me,” said Yu who also pointed out the work by then X-Men artists Joe Madureira, Andy Kubert, and Roger Cruz to name a few as inspiring. 

One particular storyline that remains a favorite was the X-Men graphic novel, “God Loves Man Kills” that was written by Chris Claremont and drawn by Brent Anderson and published way back in 1982. That story is in a nutshell the crux of the X-Men mythos and served as an inspiration for the film, X2. That story is oft cited as the best X-Men story ever told if not one of the medium’s best.

House of X was just released internationally while Powers of X is also arriving before the month of July’s end. Hickman’s and Yu’s X-Men #1 is scheduled for an October release. 


Sunday, May 12, 2019

Filipina superhero Wave comic launch and signing draws thousands of fans

With the great Mico Suayan who did the covder to this New Agents of Atlas #1 variant cover
Filipina superhero Wave comic launch and signing draws thousands of fans 
by rick olivares

Several hundred old and new comic book fans trooped to Comic Odyssey at the Robinson’s Galleria for the signing of the New Agents of Atlas #1 from Marvel Comics that hit the shelves of comic book shops last Wednesday, May 8, all over the world. 

A variant cover of the maiden issue of New Agents of Atlas that is tied in with the current War of the Realms event features the first-ever Filipino superhero in the Marvel Universe, Wave, as drawn by Pinoy comics illustrator Mico Suayan.

When the announcement was made about the development of the character who was jointly developed by American writer Greg Pak and Filipino superstar artist Leinil Francis Yu, the country took notice as it came at a time when the world was gearing up for Avengers Endgame.

And the result, is a runaway best seller. 

According to Sandy Sansolis, owner of top local specialty shop Comic Odyssey, he ordered 4,000 copies of the Suayan-illustrated cover and during the Saturday, May 11 launch and signing with Suayan at the Robinson’s Galleria, the title was close to selling out.

“On my part, it is the best-selling comic book ever,” he quipped.

“Normally, a best-selling title sells for about 400-500 copies, but the excitement surrounding the character has generated a lot of interest,” related Sansolis. “I was looking at the orders coming in and they were from all over the country. And about half of those who ordered are females with many of them first time comic book buyers. It’s good for comics and good for the character in general.”

“And I noticed from the orders than there weren’t fans buying multiple copies. These are fans getting one for themselves and this is a really encouraging thing. Because it creates interest for the medium.”

Sansolis’ son, Nick, added that comic Odyssey also received a lot of inquiries from regional comic book retailers. “This is literally a big thing,” said Nick. “But we have to make sure that the local fans get their hands on a copy.”

Celeste Clemeña is new to comic books. She previously bought a Wonder Woman comic that depicted the Amazon heroine in the Philippines, but she has never collected a comic book. Wave, who she learned about in social media, will be her first.

“As a fan of the Marvel films, I felt proud that they were creating a Filipino character,” said Clemeña. She found her way to the Comic Odyssey Facebook page and immediately pre-ordered a copy of New Agents of Atlas. “There is this sense of pride about having a Filipino superhero in Marvel Comics. I hope that eventually, they include the character in the films.”

Twenty-three-year-old Nicki Roque came into the book signing dressed up in a homemade Wave costume making her probably the first Cosplayer of the character. “I’m a newbie comic book fan. I got in because of the Marvel films and I asked if there was a Filipino character. My boyfriend said that there was one being developed and I got really excited. I just had to get a copy.

“I think Wave is a perfect representation of the Filipina.”

The costume took three days to create at a cost of about three thousand pesos. “I don’t know if I am the first Cosplayer to do Wave, but that doesn’t matter. What is cool is having our own superhero in Marvel Comics.”

Comic book fan Danry Ocampo was the first in line as he entered the mall at exactly 10am. Suayan began signing comics at 1pm. Four hours later, the line was still kilometric. “I was very much excited about this,” said Ocampo who make it a priority to pick up works done by Filipino writers and artists. “It is a proud moment for me to see a character like Wave this finally happen.”

Wave though isn’t the first Filipino character in comics. Filipino-American creator While Portacio had Grail in the popular 1990s series Wetworks, and Stone – both for Image Comics -- which was more related to local mythology. 

For Jay Ignacio of alternative rock band, Da Pulis, who himself is an avid comic book reader and collector, the character is just right. “We’ve had a lot of Filipino illustrators in the international comics business since the 1970s, and having Leinil and Mico work on this character is just right. Am looking forward to the further development of this character.”

Noted Marvel Comics fan Jiggy Cruz waxed emotional about the event and the character. “In my opinion, the 22-film Marvel Cinematic Universe is the best-film viewing experience. And then you throw in Wave as well as Leinil and Mico into the mix, all I can say this is a great time to be a fan.”

Suayan was in the United States when he received the call up to illustrate the cover. “This is something you don’t even think of twice when asked to do it. You say yes. If you’re busy, you clear your schedule. And I really put in a lot of time and love into the illustration. This is a dream of lifetime for myself and the Filipino comics fan.”


Tuesday, April 30, 2019

Avengers Endgame: How this film made my entire comic book reading life flash before my eyes.



Avengers Endgame: How this film made my entire comic book reading life flash before my eyes.
by rick olivares

Avengers Endgame saw my entire comic book reading life flash right in front of me. As I exited the theater, my mind was ablaze. It was equal parts, “Holy Shit! Iron Man and the Black Widow are dead. Fucking hell.” and “Damn, that was a great film.” All the way to… “They did it. Steve Rogers gave up his mantle of Captain America.” I even thought back to the article in Comics Scene magazine by Marc Shapiro dating back to 1990 (yes, I still have that issue) where he wondered why Marvel could not seem to get their films right. 

Boy, how things have changed, huh?

That’s a lot and a whole more so bear with me in what will be a long treatise about Avengers Endgame and the 22-film saga that is now known as the Infinity Saga.

Why is this the best superhero film – and one of the best in terms of fiction/action/adventure/sci-fi? 

Because as the creators have shown in previous films such as Captain America Civil War and Avengers Infinity War, they can juggle a huge cast, supply enough action, balance the story with action and levity, and now, heavy drama. 

When has there ever been a film where there are multiple moments where you punch the air and go, “Yeah!” or you feel your heart racing, and/or you feel emotion and your eyelids well up? 

As much as I am a Tolkien fan (I got my first set of the trilogy upon graduation from grade school) and of the film trilogy of The Lord of the Rings, I didn’t cry or feel overly emotional with the end scenes for The Return of the King. Jeez. Outside a tearjerker fest such as Kramer Vs. Kramer, that other film that had me all emotional was Saving Private Ryan. But in a superhero film? 

That’s crazy, right?

That is because of a long-time emotional investment of the characters straight from the comic books to the films.

As a long-time comics book fan (I have been reading comics for about 46 years now), comic books have really done a number on me. 

I felt bad when Phoenix died in Uncanny X-Men #137. And yet, I didn’t write Marvel to complain about the “death.” I accepted it, after all, comic books deaths weren’t common. Furthermore, they set it up quite well. I can accept it.

I endured Karen Page’s betrayal of Matt Murdock in the opening issue of that great Daredevil saga, Born Again. And when Karen was murdered by Bullseye in the Guardian Devil arc, I too felt pained. But I continued reading my favorite character with nary a complaint.

In case you do not know, my eldest son is named Matthew. Yes, I named him after Matt Murdock who is my favorite comic book character along with Captain America and Cyclops. And the Catholic in me finds it serendipitous that the first Gospel is that of Matthew. Natch!

On the contrary, there are moments during my comic book reading history when my blood boiled and I howled for a pound of flesh. Such as when “the marriage” of Peter Parker and Mary Jane Watson was voided in the One More Day storyline that in my opinion stupidly rehashed a down-on-his-luck series of stories about the former, I was upset and I wrote an angry letter to Marvel and stopped reading Spider-Man. 

And there was when a certain creator who likes to fuck things up showed a startling lack of imagination and brought back the original five X-Men to the present. Clearly, he likes to disassemble things such as what he did during his stint with the Avengers when the Scarlet Witch’s mental problems suddenly return and he kills off Hawkeye, Jack of Hearts, and others in one issue. How about I disassemble that writer?

There was that last straw when they turned Captain America into a Nazi. How many Cosmic Cube stories can we do? 

In my anger, I fired off an angry goodbye letter to Marvel and I sold about 50% of my collection with many of the titles that came out in the last five-eight years. I kept the ones I liked from my youth and some good titles from today. 

About a year ago, then-incoming Marvel Comics editor-in-chief CB Cebulski who I met through good friend Jiggy Cruz asked me over dinner, “What can I do to get you to read comic books again?” CB and I grew up reading the same comics and felt the same way about all these haphazard and contrived changes in the industry.

I said, “Send the original X-Men back to their timeline.” Am working on that, he said.
“Stop this Cap Nazi shit.” Done, he sounded pleased.
“Bring back good old storytelling and stop making these stories event-driven.” Working on it, he said.

And, yes, I am back, although reading far fewer stuff. Nevertheless, I am a happy man again. Doubly happy because the MCU is simply amazing. A modern epic.

So, now you get how this roller coaster ride of emotions affects me. 

Film-wise. That is another story.

On the cover of the Blu-Ray DVD of The Avengers, there is a quote from Fandango.com’s Chuck Walton that reads: “The best superhero movie of all time.”

At that time, I thought so too with plenty of competition from Iron Man, Captain America the First Avenger (and The Dark Knight film of Christopher Nolan; sorry, the succeeding films were a bit too much. Fuck! At the rate people were trying to destroy Gotham I would have moved to Smallville). 

Today, I have to say that Avengers Endgame wrests that title (also from Captain America The Winter Soldier, Captain America Civil War, Spider-Man Homecoming, and Black Panther) just as the Infinity Gauntlet is surely taken away from Thanos by Iron Man.

And speaking of the Armored Avenger, at the end of his first movie, when Tony Stark is confronted by pressing questions from a journalist, he pauses for a moment then declares, “I am Iron Man.”

Then Black Sabbath’s “Iron Man” segues in and the Marvel Cinematic Universe’s first offering that becomes a massive hit is over. Boy, if Helen of Troy launched a thousand ships, then Iron Man launched 22 films in a saga that cannot be compared. It’s impact on film and popular culture is immeasurable.

And yet, 21 films later, Stark’s last words in Avengers Endgame are, “I am Iron Man.” And he snaps his fingers and Thanos and his minions are space dust.

It comes at a shocking and painful price. Tony Stark is gone. He is a great character and Robert Downey Jr. got his essence and being. I just realized that Stark has cheated death on numerous occasions. When he was nearly killed by his own bombs in the Afghan desert. When he was nearly fried by an overloaded arc reactor that claimed the life of the Iron Monger (Obadiah Stane). When his home was bombed. When he was nearly consumed by nuclear fire at the end of The Avengers. He was cast adrift in space with the oxygen almost used up. He survived Thanos and the first snap. But not the third. 

And then when Cap got old. In the comics, they have done that time and again. 



In the MCU, he finally got his wish to settle down with Peggy Carter. And that dance they discussed back at the end of World War II? Done. A just reward for everything this Man Out of Time endured. How emotional was this? Man, I teared up. A perfect ending to a great saga. 

Many people surmised Cap’s death given actor Chris Evans’ expressed desire to move on since spending 11 years doing Marvel films. Ditto with Robert Downey Jr. So it stands to reason, right?

But who saw the Black Widow’s death?

The moment Black Widow and Hawkeye went to Vormir to ambush Thanos, I thought of the possibility that one of them might lose their life. After all, they weren’t super-powered. And Natasha did. But not in the manner of what I or anyone for the matter expected.

Prior to the screening, the only outcome I could predict for Avengers Endgame was Thanos was going to be beat. How, I didn’t know. Time travel? Yes. But how they did it was amazing.

When the Avengers learn that Thanos destroyed the gems (and Thor in a fit of rage decapitates him), they are once more forlorn. It seems that there is no hope to undo the damage of the snap. Until Scott Lang returns from the Quantum Realm where time has different laws.

That is when they plan this time heist. And how!

I love the fact that the Avengers had difficulty trying to achieve their objective of stealing the Infinity Gems at different intervals. That nothing was easy, that they showed other scenes behind these scenes at the Stark Tower, the Sanctum Sanctorum of the Ancient One, Morag, Vormir, Asgard, and Camp Lehigh.

To go back to certain events in the MCU and offer other scenes whether as a fan service or not is a treat. 

I loved how Tony met his dad Howard Stark and on that day where he was going to celebrate the birth of his son (Tony) was amazing. It was a great great moment considering what he lost (his parents to the Winter Soldier) and potentially to another snap. 

And to see James D’Arcy who played Jarvis in ABC’s short-lived but great series, Agent Carter, was amazing! Truly amazing cameo indeed. Nice tip of the hat to the series for the fans. Isn't it great they brought in a larger cast of people who populated the MCU Universe? Fan service indeed!

I know it was a joke when Cap said, “Hail Hydra” and I suddenly shuddered to think of that idiot’s stories that turned Cap into a murdering Nazi. So thank God when Cap finally ordered, “Avengers Assemble!” before that climactic battle with Thanos’ hordes. You kind of take that for granted in the comics.

I love how the Peter David stories of the 1990s – the smart Hulk was used. It made a lot of sense to see the Hulk look like Mark Ruffalo. I totally love what Ruffalo brought to the table as Bruce Banner. While Edward Norton – who was amazing in my opinion as he brought that fragile nature to the star-crossed scientist – was great, I think Ruffalo brings that that natural shyness and with a sense of humor as well as a hint of danger to Banner. And seeing it all coalesce into the smart Hulk was a highlight for me and for many long-time Hulk fans.

And speaking of physical changes, I loved how they gave Thor a beer belly! And they had him fight that way for the rest of the film. Thank God, he wasn’t turned into a frog the way Thor writer-artist Walt Simonson did back in the 1980s. 

I love how the first part of the film dealt with the Avengers (and the rest of the world’s losses) with others suffering from post-traumatic stress disorder. This was the part of the heavy acting with Rogers now taking the place of Sam Wilson in the VA counseling those going through grief, Natasha turning to drink (like Tony Stark did in the Iron Man comic book arc “Demon In A Bottle”), Hawkeye turning into Ronin but acting like the Punisher, Hulk working in a diner, Thor retired to New Asgard drinking beer and playing video games all day, and Tony the only one better for the post-snap period. And Scott Lang’s return was incredible. 

This is what makes these stories (and Marvel Comics which started this trend of four-colored storytelling by humanizing the heroes and giving them all sorts of everyday 

I love how Scott and Clint Barton were tempted by getting in touch with who they lost. And Cap fighting his younger self and quoting Lang’s quip about, “America’s ass.”

Then the second act where in true comic book fanboy style… it’s the hunt. The hunt for comics in fanboy culture and the hunt for the Infinity Gems. And it is never easy.

I loved how Thor looked so vulnerable and awkward in confronting Frigga on the day that she dies. Imagine the conflict raging inside him as he wants to save her but she will have none of it. 

Ditto with Barton who tries to give his life for the soul gem, but Natasha gives hers instead. It is one of the movie’s shocking, thought-provoking moments. 

And then there is the third and final act when Bruce Banner snaps everyone back into life. And then the old vicious Thanos who prior to collecting the Infinity Gems is brought back by the old Nebula. And a massive fight continues.

When all seems lost and Cap is facing Thanos, the Black Order, and all their hordes, he hears a familiar voice echoing what he said in The Winter Soldier, “On your left.” Aww, man! I felt my heart flutter and the old fanboy in me go, “Yeah!”

And then there’s Cap's battle cry, “Avengers Assemble!” Damn! Damn! Damn! 

The floodgates of tears, joy, excitement, and pure love of the medium, the characters, and the genre exploded. It’s a cacophony of delight and of everything I have loved all these decades. 

I thought of my very first Avengers comic (#142 written by Steve Englehart and drawn by George Perez and Vince Colletta where the Avengers go back in time courtesy of Immortus and meet Western heroes Night Rider, Rawhide Kid, Ringo Kid, and Two-Gun Kid who have hooked up with Hawkeye. This was reprinted locally and my mom bought it for me at the old Cherry Foodarama when I was five years old).

I thought of my first Cap comic (#193 that kicked off the Mad Bomb epic as written and drawn by Jack Kirby to celebrate America’s Bicentennial) that my aunt bought for me at the old Army Navy Club along Roxas Boulevard. 

I thought of my first Iron Man comic book (#123 which is part four of the Demon in a Bottle story arc) written by David Michelinie and Bob Layton with art by John Romita Jr. and Layton that my grandfather bought for me at the commissary of the old Clark Air Base.

I thought of my first Thor comic (#244 where Thor went up against the Time Twisters in a story by Len Wein and art by John Buscema and Joe Sinnott) that my grandfather bought at a PX store in Tarlac.

And speaking of Thor, I love how Mjolnir finds its way into Cap’s hands (that was first teased in Avengers Age of Ultron) and he goes toe-to-toe with Thanos. But even he and Captain Marvel are beaten. Leaving it to Iron Man to save the day.

And I guess, the death adds to the impact of the story. If they all survived, it would have diminished the impact just as it did in the Infinity Gauntlet storyline in comics. Like nothing had happened. Here something did. And it hits the Avengers and it hits us as the audience. 

That is why is makes it all the more powerful. You come away touched by it. Good things touch you in so many ways. They tug at your heartstrings. And bring you back to happy places. Such as those days as a kid when I was introduced to comics and superheroes. 

And that brings me back to Iron Man.

The film version of Tony Stark might not be with us anymore (unless the make him that ghost in the machine in the early issues of Iron Heart that I stopped reading), but I have good memories.

Ones that go back even back to my first comic. To those old Lawrence-Gantray cartoons of the 1960s that I loved as only a kid can. I remember coming home from school (around Grade 1) and my mom and my younger sister would help me get dressed and these Marvel cartoons would be showing. I'd be transfixed for the next 15 minutes and they fed my imagination.

And to this day, I hum and sing those words of that old Iron Man cartoon: 
“Tony Stark makes you feel
He’s a cool exec with a heart of steel
As Iron Man all jets ablaze
He’s fighting and smiting with repulsor rays.
Amazing armor. That’s Iron Man.
A blazing power. That’s Iron Man.”

Thanks to everyone who made all these 22 films.

Thanks to everyone who built the Marvel Universe.

You made this old fanboy cry.

Love you 3000.