At the 2018 Indieket

With Hulyen

With Mervin Malonzo

With Jon Zamar

With Ian "Damy" Velasquez III

With JV Tanjuatco

Gerry Alanguilan’s Bakokak whets your kaiju fix before Pacific Rim

Alanguilan’s Bakokak whets your kaiju fix before Pacific Rim

by rick olivares

Pacific Rim 2, or Uprising as the sequel to the popular film about giant monsters terrorizing what is left of the free world is due in the next five weeks. And if you’re that Kaiju (the Japanese term for giant sized monster films) fan, or even one who loves the whole fantasy genre of comic books or who was weaned on anime and manga, you’ll want to whet your appetite with this new mini-graphic novel, Bakokak, from the fertile imagination of internationally renowned comic book creator Gerry Alanguilan and Kevin Ray Valentino.

Bakokak is a 92-page black and white story about this giant frog that is horribly mutated by the meltdown of the Fukushima nuclear reactor in Japan and this kaiju arrives and threatens the Philippines.

This is a fun read. I love how Gerry continues to mine his childhood days – of things that fascinated him and held his imagination. Bakokak is the latest and is an interesting left field choice after Rodski Patotski which is about a child genius.

Gerry even as I knew him during our college days was a kindred spirit; an old soul who thought deep and always had a sense of humor. And looking at the cover of this giant frog looming over the homes – I had to chuckle. It was like Bakokak and the creators were having a piss at the genre; a laugh if you will. No highly intellectual stuff here, folks. Plain old comic book fun.

You see even with Rodksi Patotski, Gerry hasn’t forgotten that comics or komiks in the vernacular, is escapist fare. Not everything can be highbrow and intellectual. Sometimes, it’s plain old fun. Rock and roll, you know. Bakokak can be cliché-ish – the down-on-his luck scientist, the arrogant and clueless military commander, but it is fine. It’s fun. And I love it.

Valentino’s art is perfect for Gerry’s prose or storytelling. A touch of Geoff Darrow here and there. And you know what is coming – the carnage and the destruction. The spread of pages 32 and 33 is astounding. Just as Arnold Arre was perfect for Alanguilan’s Rodski Patotski, so is Valentino for Bakokak. Minimalist but no less engaging.

The character of David Dalangib reminds me (whether coincidental or not, it is cool) of Jeff Goldblum’s character of David Levinson, the technical expert in the film, Independence Day.

The way Dalangib deals with the threat of Bakokak is smart, novel, but also appalling. Truly, war, especially against kaijus, is hell.  That giant fly robot? Man, it reminded me of Mechagodzilla in the first Godzilla film I ever saw.

I am not going to delve into any pseudo-intellectual analysis because this is not what this graphic novel from Alanguilan’s Komikero Publishing is all about. It’s fun, short, and reminds you of things that we enjoyed from a much simpler time. And that is why we should be thankful to creators like Gerry and Kevin Ray. And to the medium, black and white warts and all, of comics.

Macross, Gundam, Transformers designer Shoji Kawamori is one of AsiaPop Manila’s best draws

Macross, Gundam, Transformers designer Shoji Kawamori is one of AsiaPop Manila’s best draws

by rick olivares

In 2015, an article appeared on Forbes magazine about a little known creator – that is if you live in North America or Europe – about an anime creator whose mech designs have been copied or inspired many of today’s robot designs or are featured in American comics and in film.

It was about Japanese anime writer, designer, screenwriter and producer, Shoji Kawamori whose work has inspired the film and modern comics versions of Iron Man, Transformers, and even the Invisibles!

When he 57-year old Japanese walked into the SMX Convention Center in Pasay last Friday, August 25, he was surprised that there was a long line of fans waiting for him.

“I thought that this (AsiaPop Comicon) was more for American comics,” he said through an interpreter. “So it was a pleasant surprise to see my work appreciated and that there are fans here in Manila as well.”

It was Kawamori who designed the ground-breaking Macross (Robotech in the United States and Europe) anime. Especially the VF-1J Valkyrie that “transformed” into three modes – the fighter aircraft, the Gerwalk which is half robot and half fighter plane, and the battroid mode. The Japanese designer is quick to dispel all the credit. “When I saw the F-14 Tomcat (the US fighter aircraft during the 1980s), I took a look at the design and was inspired. What if I could do this with the design and turn it into a robot?”

The result was a cultural phenomenon of mech-series and designs.

But Kawamori wasn’t done. He took Macross one step further with his brilliant mech designs for Mobile Suit Gundam 0083: Stardust Memory where his “Physalis” design is regarded as one of the best mobile suit designs in the show’s long history.

He also designed many of the characters that would be used in another cartoon hit called “The Transformers” including Optimus Prime, Ironhide, Ratchet, and Starscream among many others.

We spoke with Kawamori and intimated our particular passion for the “Stardust Memory” series. “During that time, I was doing a lot of Gundam drawings. I drew eight different types of Gundams but there was one design that I liked,” shared Kawamori. “It was a one-eyed Gundam whose eye would move back and forth from the slit of its armored head. But the series producers refused that.”

Much to his surprise, years later, those one-eyed Gundams were used.

As for the modern Transformers films and cartoons, Kawamori expressed satisfaction. “As a fan, this is unbelievable – to create memorable characters, icons. If it gives many people joy, then it does the same for me. I want to be able to do more.”

“I was just a fan of Space Battleship Yamato,” he recounted of his youthful days. That particular series captured the then-young boy’s imagination that he found himself tracking down the studio that created the hit anime series. That production company was called, Studio Nue, and Kawamori began working for them after his schooling was done. Then came Macross and Kawamori became an instant legend.

“If it can work for me being inspired by what I see and grew up watching, maybe it can inspire others too,” said Kawamori of his work. “I wanted to design for NASA but being an anime designer and creator isn’t such bad work.”

Kawamori is currently working on a new Macross series that will be unveiled in 2018 to coincide with the 35^th anniversary of the show. “Right now, I cannot talk about it. Secrecy,” he maintained. “But it will all be worth it. Right now, I want to enjoy my short stay in Manila. The fans have been incredible.”

The 2017 AsiaPop Comicon is the third installment of the country’s biggest comic book and pop culture convention.

Physalis

Zephyrantes

My 2017 AsiaPop Comicon comics haul

With Mervin Malonzo whose excellent Tabi Po is now a television series! Got the third and last installment of the first story arc.

With Stanley "Artgerm" Lau. He did this awesome cover to Robotech!

My Dante co-conspirator, Niño Balita and his new releases Cotton and Squiggly Lines. 

My meager AsiaPop Comicon haul.