Image Comics lets
loose Penny Dora and the Wishing Box; a deliciously good children’s book of
horrors.
by rick olivares
It has been said that some of the most frightening
stories are those children’s tales of yore. You can throw in those ancient
myths for good and horrific measure.
“Penny Dora and the Wishing Box” from Image Comics is
a modern re-telling of the Greek myth of Pandora’s box wrapped in deceptively
beautiful chick-lit/children’s book style art.
Michael Stock’s prose snares you just like those
children’s books did all those years ago. He is sumptuously frugal yet
engaging. Stock allows Sina Grace’s lovely and evocative artwork to shine
through the facial expressions of the characters. Iggy the cat is a winner. I
swear I will not look at a piece of ham again without thinking of Iggy.
And three issues into this title, I can
say it's a wonderful read that has deep undertones that belie Grace's lovely
artwork. The Greek myth of Pandora's box (or jar since it was initially
mistranslated) is actually a frightening one where all sorts of ills are let
loose unto the human world by a very inquisitive Pandora. Penny Dora, the
book’s protagonist falls into the trap when she discovers a mysterious box left
on her doorstep on Christmas Eve. Her mother orders her to dispose of the box
that they think is a prank but Penny keeps it and it quickly haunts her for its
asks her what she wishes. And chillingly, it even knows her name.
Penny’s best friend, Elizabeth borrows
the box and misuses its to recreate her immediate world and she is warped for
her troubles. Could it get any worse? We are about to find out.
Yet in three issues so far, there’s
this mysterious girl in black in the background. We do not see her face
although Penny takes notice of her. Obviously, she has some connection to the
Wishing Box.
Like the myth that inspired “Penny Dora
and the Wishing Box” this appears to be a children's comic but it is not. It
writes of responsibility as well as the dangers of freedom and power. That
sounds like Spider-Man territory there – you know, “with great power comes
great responsibility” -- but Penny Dora reminds me more of Alice in Wonderland,
Neil Gaiman’s Coraline, and Ted Naifeh’s Courtney Crumrin. And I say that puts this
book in great company.
I really look forward to see where Stock
and Grace take this book that has been one of the best put out in late 2014 and
is one issue into this new year. Now, I can't wait to find out the identity of
the girl in black.
And for mythology buffs like me, the homage
to painter Frederick Stuart Church for the cover of Penny Dora and the Wishing
Box #3 is priceless.
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